Sandro Botticelli
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c. 1445 – May 17, 1510. Italian painter.

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Sir William Orpen
View of Montmartre,Paris

ID: 26499

Sir William Orpen View of Montmartre,Paris
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Sir William Orpen View of Montmartre,Paris


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Sir William Orpen

Irish 1878-1931 Sir William Orpen Location Irish painter. He attended the Metropolitan School of Art, Dublin (1891-7), and the Slade School of Art, London (1897-9), there winning the composition prize of 1899 with The Play Scene from Hamlet (Houghton Hall, Norfolk). He became a friend of Augustus John and joined the New English Art Club. From very early years he had been an impassioned student of the Old Masters, and he went to Paris with John in 1899 to see Leonardo da Vinci Mona Lisa (Paris, Louvre). In the following years his perception of their works   Related Paintings of Sir William Orpen :. | The Rt Hon Timothy Healy,Governor General of the Irish Free State | A German Gunners Shelter,Warlencourt | Early Morning | To the Unknown British Soldier in France | German Sick,Captured at Messines,in a Canadian Hospital |
Related Artists:
Pierre Bonnard
French Nabi Painter, 1867-1947 French painter, printmaker and photographer. He is known particularly for the decorative qualities of his paintings and his individual use of colour. During his life he was associated with other artists, Edouard Vuillard being a good friend
John Durand
American. active1766-1782 A signed portrait (priv. col.) dated 1765 provides the first documentary information on him. He advertised in the New York Journal on 26 November 1767 that he had opened a drawing school, and again on 7 April 1768, announcing his availability as a history painter, though no examples of this activity survive. Like other painters in the colonies, he made his living from portrait painting. His most noted work, the Rapalije Children (1768; New York, NY Hist. Soc.), demonstrates the strong decorative sense, the delicate use of colour and the attempts at sophisticated value and texture application that characterize all his paintings. His skill as a draughtsman is evident in the carefully described details. Here, as in other works, he used a dark outline to define one plane from another, and he imparted a sense of elegance, particularly in the slightly turned heads and animated arms and hands.
Adolf Seel
(1 March 1829-14 February 1907) was a German painter. He enjoyed training at the Dseldorf Academy of Arts. Seel visited the academy in Dseldorf in 1844-50, where he trained under Wilhelm Sohn. He then continued to train one year in Paris, spent 1864 and 1865 in Italy, 1870 and 1871 Spain, Portugal and the north coast of Africa as well as 1873 and 1874 the Orient, where he developed his preference for the architecture painting found rich food. Its pieces of architecture, particularly the Arab and Moorish buildings, are usually provided just as beautiful landscapes painted with a masterful perspective, lighting and coloring.






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